It also sheds the odd raindrop but there’s an optional raincover available if you’re planning on walking in bad weather for an extended period. This "work", this "passion", wherein I fashion the photograph to MY vision and tell MY story is what truly makes me feel like an artist.The fabric of the F-Stop Kashmir UL 30L is lightweight but it feels very tough and durable. I have spent hours upon hours changing, cropping, desaturating, cloning, and the list goes on and on. Here I go to edit the images that have such meaning to me. MacBook Pro: It is my personal art studio. In addition, I have added a QR code, which provides me with countless visits to my favorite social media page. Now I have finally placed my images on stickers and I couldn't be happier. Stickers: I have always had a mild obsession with stickers. It is my constant challenge when shooting and I have always liked Coast flashlights for their sturdiness and performance. Manfrotto Windsor Camera & Laptop Backpack: First of all it reminds of a Burberry design and second, without a doubt, the most stylish bag ever brought to an abandoned asylum!Ĭoast Polysteel 600 Lumens Flashlight: I need light. I am shooting more and more in dark settings and was taken by this fresh take on the tripod build. Peak Design Travel Tripod: I had to step up my tripod game. When the second version was released I had to get my hands on it! Accessories Weddings, fashion shows, portrait sessions, this lens was there for me. Sony 70-200mm f/2.8 G Master II: The Sony 70-200mm GM Version 1 was my go-to lens for any event photography gigs I took on. An invaluable resource, which proved indispensable at my first attempt at astrophotography last month. Furthermore, the 1.8 F stop can add so much more necessary light in dark conditions. ![]() ![]() Although, I love my 16-35mm GM this lens has an extra 2mm which is a noticeable improvement. I had wanted this lens to propel me further when exploring. Sony 14mm f/1.8 G Master: My Sony 14mm f/1.8 GM is fresh out of the box, I have used it only at Sony Kando 2022. In fact, some of my all time favorite landscape photos are with this lens! Surprisingly, I have utilized it for landscape in an incredible fashion. Whenever I need a portrait lens, I know that with this in my hands the shots will be glorious that mix of sharpness and bokeh. It is the very first Sony lens I bought, circa 8 years ago. Sony 55mm f/1.8: The Sony 55mm f/1.8 has been my "old faithful". Yet, the corner to corner crispness allows every glorious detail to be on display. ![]() The angles and architecture are only further accentuated. The abandoned locations and underground tunnels necessitate a super wide lens. Sony 16-35mm f/2.8 G Master: The 16-35mm GM wide angle lends itself perfectly to my artistic vision. The joys of making someone "levitate"! Lenses The 10 FPS has allowed me to freeze people and objects to remarkable effect. Of the many features, the one that always fascinated me was the frames per second (FPS). Sony Alpha 7R IV: This was my best camera until the Alpha 1, and it has taken some of my strongest images. Honestly, it is the best camera I have ever bought. Added with 50 megapixels and its dynamic range I’m ready for powerfully colorful images (and caters to my large prints needs). The build quality on its flagship camera is evident sturdy yet ergonomic. Sony Alpha 1: In the “particular” locations I travel to, I do not hesitate to bring my Alpha 1. See the tight kit of cameras, lenses and a few key accessories the Alpha Collective's urbex adventurer Max Boncina uses to give a new look to dilapidated & abandoned structures. Keep reading as he shares which Sony Alpha cameras, Sony lenses and accessories he brings in his bag for urbex adventures and more. We connected with him to learn more about the gear he uses to create his unique and eye-catching imagery. With a focus on urbex photography, Boncina is often visiting dilapidated and abandoned locations to bring his creative visions to life. Max Boncina ( is a New York-based photographer and member of the Alpha Collective .
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